Kirtan & Ardas
The ragis, the prayers and the stillness of the darbar hall, recorded gently so the sound and spirit of the morning come back to you every time you open the album.
Award-winning Anand Karaj photography in Aberdeen, from the early maiyan to the late reception, and a documentary eye trained across twenty-five wedding seasons.
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The short answer
Experience matters most when the laavan begin and there is no second take. Kaushik Bathia has photographed Sikh weddings for more than twenty five years, and that experience travels with him to Aberdeen. Low light rarely troubles us; darbar halls, evening receptions and winter afternoons are handled with fast lenses and a steady hand rather than harsh flash. Baraat arrivals with the dhol, the milni where each pair of relatives is called forward, the laavan before the Guru Granth Sahib and the langar that follows are all part of a wedding day in Aberdeen. Our second photographer comes as standard and knows Sikh weddings specifically, so both sides of the hall are always watched by someone who understands what comes next. Engagement shoots, a second photographer for the busiest events and beautiful fine art albums are all part of what we offer, and we travel throughout Scotland and the rest of the UK for your wedding.
Because the anand karaj must take place before the Guru Granth Sahib, a Sikh day in Aberdeen divides between the gurdwara the sangat gathers in and a reception at Thainstone House Hotel or Logie Country House. Shoes off, heads covered, and no camera lifted above the level of the Guru. The four laavan and the closing ardas are covered from one fixed low position. Sehra bandi and the milni happen outdoors when the weather agrees, and Marischal College on Broad Street gives a striking granite wall for the group photograph.
Serving Aberdeen
Aberdeen is the granite city, with grand venues. The gurdwara halls and banqueting suites of Scotland are settings we work in, and we would gladly work at the venues near Dyce, Cults and Bridge of Don. We follow each of the four laavan at walking pace, photographing the bride's brothers steadying her round the Guru Granth Sahib and the calm on both of your faces circuit by circuit.
Sound guides our timing, because the ragis signal the next laav before anybody rises, and hearing that change coming is how we are already framed for the walk. Two lenses, no bag and no tripod inside the darbar hall. Travelling light means we can move slowly and silently between the few positions we have agreed, and nothing of ours clutters the space. Emotion tends to arrive slightly off-centre, in the row behind you or at the edge of the frame, so we watch the families as much as the couple through the four laavan.
Photographing Sikh weddings in Aberdeen has taught us its rhythms. Aberdeen is the granite city, with grand venues, and we bring that same understanding to weddings across Scotland. Close to Aberdeen, we cover venues including Norwood Hall Hotel, Thainstone House Hotel and Logie Country House.
Aberdeen is known as the Granite City for its distinctive granite architecture, with grand buildings lining Union Street in the city centre. Aberdeen railway station is around a ten minute walk from Union Street and Broad Street in the city centre. For relaxed couple photographs, we like Duthie Park by the River Dee, 44 acres of parkland with the David Welch Winter Gardens, and Marischal College on Broad Street, one of the largest granite buildings in the world gives the day a strong sense of Aberdeen.
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What we offer
The ragis, the prayers and the stillness of the darbar hall, recorded gently so the sound and spirit of the morning come back to you every time you open the album.
The rehearsed dances, the dhol and the family performances of the sangeet, covered with energy so the atmosphere of the night fills a full chapter of your album.
The lehnga, the sherwani, the kalgi and the nerves. We cover both households on the morning of the wedding, so your album begins long before anyone reaches the gurdwara.
Every Sikh ritual
Kirtan by the ragis fills the hall long before you enter it, and we arrive in time to photograph the musicians settling, the harmonium opening and the sangat gathering in ones and twos. During the ardas we lower the cameras to almost nothing, holding one or two respectful frames of the standing congregation with hands folded as the prayer is offered. The kirtan carries the whole morning, and we photograph the ragis as part of the story, their concentration and their voices woven through the frames of your ceremony.
We photograph the doli with quiet care, the rice thrown back over your shoulder, the last embraces with your parents and the car pulling away from the family home. Ladies sangeet nights around Aberdeen tend to run long and loud, and we pace ourselves with them, photographing the giddha, the boliyan and the dholki passed from lap to lap. Turmeric ends up on far more people than the bride, and we follow it around the room, because a maiyan is really a picture of a family enjoying itself rather than a ceremony.

The whole celebration
Children in the house on a wedding morning are utterly unmanageable and enormously photogenic, and we simply let them run, collecting frames that always make the final album. Mothers spend the morning looking after everyone but themselves, and we follow them, because an album that only shows the bride getting ready has missed the person who made it happen.
Portraits are kept to fifteen minutes because your guests have come to see you, not to watch you being photographed, and fifteen focused minutes is genuinely enough. Langar after the ceremony is photographed with permission and with restraint, the rows seated together, the sewadars serving, the equality of the hall visible in a single frame.
Why choose us
Redundancy comes from having been in this long enough to have seen equipment fail. Dual card recording, spare bodies and duplicated backups are habits formed by experience rather than marketing. Elders matter in these albums, and long experience has taught us to cover the grandparents and the small rituals, not only the couple.
London is home, but our cameras spend most weekends elsewhere, and Scotland is a journey we will gladly make through the wedding season. Travel is agreed in writing before you book, so couples in Scotland know exactly what is included and what, if anything, is added for distance or an overnight stay.

Where we travel
Ask us about a venue anywhere in Scotland and the answer will be yes, with the practical detail of how we get there and when we arrive worked out before you commit to anything. Multi-day Sikh weddings need a photographer who has managed the logistics before, and we bring that experience to every booking in Scotland.
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Good to know
Far from a problem, it is simply the usual shape of the day. We fold the move from the gurdwara to the banqueting suite into the schedule, often filling the gap with couple portraits while everyone else drives across. Should the two Aberdeen venues be some distance apart, our second photographer travels ahead to photograph the setting before guests come in.
We use professional camera bodies backed by a full set of spares for cameras, lenses, batteries and flash, meaning a single breakdown never interrupts your coverage. Each camera writes every image to two memory cards at the same time. An Anand Karaj happens only once, so for us redundancy is not an add-on, it is simply the way we work. For Aberdeen bookings, getting here is simple: Aberdeen railway station is around a ten minute walk from Union Street and Broad Street in the city centre.
Across Aberdeen and the neighbouring parts of Greater London, travel is generally built into your package already. If a venue lies much further out, or a very early baraat makes staying over the night before wise, we add a small, clearly listed charge and settle it with you in advance. No travel cost ever lands on your invoice unexpectedly.
Absolutely, and most Sikh weddings work exactly this way. We build the move from the gurdwara to the separate hall into your schedule so there is no break in what we capture. Should the two venues be a long way from each other, a second photographer can be at the reception shooting the setting before a single guest walks in. We cover Aberdeen and nearby Mannofield, Torry and Old Aberdeen.
Comfortably. Large guest counts are normal in our diary, and over a thousand weddings have taught us how to cover a packed darbar hall and a full banqueting suite without missing the people who matter. We bring a second photographer for big weddings in Aberdeen, so while one of us follows you, the other gathers the guests, the details and the dance floor.
For large celebrations we recommend one, and for busy multi-event weddings we consider it close to essential. While one of us is inside the darbar hall for the laavan, the other can cover guests, arrivals and the wider scene. With several hundred guests and things happening in parallel, two cameras simply catch more of the truth of the day. Open air sessions near Aberdeen tend to use Duthie Park by the River Dee, 44 acres of parkland with the David Welch Winter Gardens.
Yes, from first light to the last dance. We begin as the sehra goes on and the choora still rings from the previous night, follow the baraat and its dhol to the gurdwara, capture the Anand Karaj and langar, and see the reception through until the floor is packed and there is nothing left of the story to miss. Around Aberdeen we plan for landmarks such as Marischal College on Broad Street, one of the largest granite buildings in the world.
More in Aberdeen
The same team, experience and care across every wedding and service we cover in Aberdeen. For weddings of every tradition in Aberdeen, see our wedding photographer in Aberdeen page. Browse our Sikh wedding photography page, the wedding photography overview, all areas we serve, or nearby Glasgow and Edinburgh. We also photograph Sikh weddings across Scotland, including Glasgow, Edinburgh and Dundee.
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Recent weddings
Milni · Anand Karaj · Laavan · Mehndi · Jago
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