Baraat & Milni
The groom's arrival, the dhol and the meeting of the two families, photographed so every milni exchange, garland and embrace outside the gurdwara is kept for both sides of the family.
Photographing Sikh weddings the relaxed way in Gillingham, capturing the vatna, the Anand Karaj and the doli, with more than a thousand wedding days behind the lens.
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Wedding photography from £750
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The short answer
London based and award winning, Kaushik Bathia has spent more than twenty five years photographing Sikh weddings, and he takes bookings from couples in Gillingham and right across Kent. Movement in the darbar hall is kept slow and predictable, so neither the granthi nor your elders are ever startled by a photographer darting past. Whether your celebration is one morning or a full week, we photograph the choora being placed on your wrists, the kalire tied above them, the baraat arriving in Gillingham, the laavan, and the doli farewell. Long service has made us reliable in the plainest sense: early to arrive, fully prepared and unflustered whatever the day brings. Whatever you need alongside the coverage, from an extra photographer to a pre-wedding session and a printed album, can be arranged, and journeys to Kent or further afield are part of how we work.
Medway's Sikh families draw guests from Twydall, Wigmore and Hempstead, and the A2 keeps the run between gurdwara and reception short. An anand karaj is photographed from the floor at the side of the darbar hall, head covered, so that nobody in the sangat is obstructed and the Guru Granth Sahib is never framed from above. Ardas, the four laavan and the sikhia move fast. Choora and kalire are best caught in daylight. King Charles Hotel handles the evening, and the doli then leaves from its forecourt.
Serving Gillingham
Gillingham is a Medway town with a diverse community. Across Kent we photograph Sikh weddings in gurdwaras, banqueting halls, hotels and marquees, and the venues around Chatham, Rainham and Rochester are well known to us. Mothers cry at different moments, and after enough anand karaj mornings we have learned it is usually during the second laav rather than the fourth, so that is where our second angle looks.
Rather than direct the morning, we photograph the maiyan and the chooda ceremony as they unfold, keeping the mess and the laughter of it honest. Candid coverage runs through the whole day, resting on joined hands, the edge of the palla, a shared glance mid laav, the details a posed picture cannot hold. Noise and celebration outside, stillness within; we shift gear between the baraat and the darbar hall without missing a beat of either.
Photographing Sikh weddings in Gillingham has taught us its rhythms. Gillingham is a Medway town with a diverse community, and we bring that same understanding to weddings across the Home Counties. In and around Gillingham, we have photographed at venues such as King Charles Hotel and The Historic Dockyard Chatham.
Gillingham is the largest of the Medway towns and has a diverse community. Gillingham station sits on the Chatham Main Line with Southeastern services, near the A2. For relaxed couple photographs, we like Riverside Country Park, with walking trails along the Medway estuary, and The Royal Engineers Museum, telling the story of military engineering gives the day a strong sense of Gillingham.
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What we offer
The groom's arrival, the dhol and the meeting of the two families, photographed so every milni exchange, garland and embrace outside the gurdwara is kept for both sides of the family.
The henna being applied, the songs, the sweets and the colour of a full mehndi night, covered as an event in its own right rather than a footnote to the main wedding day.
When the Anand Karaj is in one town and the reception in another, we plan routes and timings in advance, so long journeys between venues never cost you any coverage.
Every Sikh ritual
Hukamnama is taken after the ardas, and your faces as the day's order is read are worth more than any posed portrait, so we hold position and simply wait for them. Down in the langar hall we photograph the meal being served and shared, the volunteers, the children and the sense of community that finishes a Sikh wedding morning so well. Each of the four laavan has its own meaning, and we photograph all four as distinct chapters, so the album reads the ceremony the way the Guru Granth Sahib gives it.
Nanke mel arriving is an event in itself, the maternal family coming in together with gifts and noise, and we cover the welcome at the door because that greeting sets the tone of the day. We photograph the first dance for the small things, the way you hold each other, the kalire still on your wrist and the friends crowding in as the song closes. We photograph the mehndi patterns once they are finished and dark, usually the following day, so the artistry on your hands is recorded at its very best.

The whole celebration
Maiyan mornings are messy and bright, and we let the turmeric go where it goes, photographing the singing and the sticky hands without asking anyone to tidy up for the camera. Half an hour of unhurried portraits before anyone leaves, using nothing but window light, gives you images of the outfit at its freshest, long before the day has creased it.
Arrival at the reception is the second entrance of the day and deserves the same care as the first, so we are inside the room and framed before the doors open. Dhol at the reception door changes the whole room's energy, and we shoot low and wide there, catching the drummers and the crowd rather than an isolated portrait of the couple.
Why choose us
Large guest lists hold no fear for us; a reception of five or six hundred is a normal working day after a quarter century of Punjabi weddings. Consistency across a fourteen-hour day is what separates a long career from a good weekend, and the last frame of the reception should be as considered as the first of the maiyan.
Rail, road or a night before, whatever gets us to your venue in Kent in good time and in good shape, is our problem to solve rather than yours to worry about. Weekend celebrations that run Friday to Sunday are welcome, and for events across Kent we will plan the stay so we are present for each function rather than commuting between them.

Where we travel
We photograph Sikh weddings across the UK, so the drive into Kent and the shuttling between venues on the day are simply built into how we work. Getting to your venues is our concern rather than yours, and we keep the travel side of the quote clear and straightforward for weddings in Kent.
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Good to know
With quiet respect throughout, beginning as you enter the darbar hall and ending with the ardas. We hold back from the Guru Granth Sahib, use no flash at all and reposition only at moments that will not distract the sangat. Having spent twenty-five years at Sikh weddings, we understand every stage and are in place before each one unfolds. Getting to Gillingham is straightforward for us: Gillingham station sits on the Chatham Main Line with Southeastern services, near the A2.
The main factors are how many events you want covered, the total hours across those days, whether a second photographer joins us, and what you choose in albums. The Anand Karaj itself starts early, and receptions run late, so coverage length matters more than anything else. We build the package around your plans, not the other way round. Around Gillingham we have photographed at King Charles Hotel and The Historic Dockyard Chatham.
Absolutely happy. Since the Anand Karaj tends to take place in the morning, our day often opens before dawn with the bride's preparations, the choora and the groom's family getting ready. Having sorted our logistics the night before, we turn up ahead of time and keep our energy up across what can be a fourteen-hour day. Dawn starts come with the territory. Locally in Gillingham that takes in The Royal Engineers Museum, telling the story of military engineering.
Both, in the right measure. The ceremonies, the milni and the emotion of the doli are photographed candidly as they happen, because staging them would spoil them. Then we set aside short windows for relaxed couple portraits and the family groups your parents will want. Most couples find that their favourite images turn out to be the unposed ones. Open air sessions near Gillingham tend to use Riverside Country Park, with walking trails along the Medway estuary.
Yes, and full-day really does mean the full day. We are there as the sehra is tied and the choora still jangles from the evening before, move with the dhol and the baraat to the gurdwara, cover the Anand Karaj and the langar, then stay on at the reception until the floor is alive and the day feels complete. We cover Gillingham and nearby Twydall, Wigmore and Hempstead.
Absolutely. Plenty of couples want us for the gurdwara ceremony by itself, from the milni outside through to the four laavan before the Guru Granth Sahib, and keep the rest casual. That is a perfectly sound booking and we price it fairly. Often, once we have talked the whole day over, couples decide to add the reception too. Gillingham and neighbouring Twydall, Wigmore and Hempstead are all covered.
Yes, fusion weddings are growing more common, and the meeting of two very different ceremonies is a joy to shoot. We plan the schedule carefully so the gurdwara ceremony and the civil or white wedding are both fully covered, whether they share a day in Gillingham or fall a weekend apart. The variety of outfits, venues and moods enriches your whole collection.
More in Gillingham
The same team, experience and care across every wedding and service we cover in Gillingham. For weddings of every tradition in Gillingham, see our wedding photographer in Gillingham page. Browse our Sikh wedding photography page, the wedding photography overview, all areas we serve, or nearby Rochester and Maidstone. We also photograph Sikh weddings across Kent, including Sevenoaks, Ashford, Gravesend, Canterbury, Maidstone and Tunbridge Wells.
Guides
Recent weddings
Milni · Anand Karaj · Laavan · Mehndi · Jago
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