Kirtan & Ardas
The ragis, the prayers and the stillness of the darbar hall, recorded gently so the sound and spirit of the morning come back to you every time you open the album.
A calm, familiar hand at Sikh weddings across Feltham, from the sehra and choora to the laavan at the gurdwara, in a respectful, unhurried way that lets the ceremony breathe.
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Wedding photography from £750
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The short answer
Awarded five European Gold medals and elected a Fellow of the BIPP and the MPA, Kaushik Bathia photographs Sikh weddings for couples in Feltham with the steadiness that only twenty five years brings. Preparation removes most of the panic. Running orders vary between gurdwaras, so we ask yours in advance and learn where the milni will form, where the palki sahib sits and how the light falls. Multi-day Sikh weddings are a speciality in Feltham, from the pre-wedding maiyan and mehndi to the baraat, the four laavan at the gurdwara, the doli and the reception afterwards. We have photographed baraats arriving by horse, by vintage car and on foot behind the dhol, and every variation has taught us something about staying ready. Couples usually pair the wedding coverage with an engagement shoot and a fine art album, and often a second photographer too. Journeys to Greater London and to venues across the UK are readily arranged.
Anand karaj mornings run to a tight clock, and Feltham station on the South Western line, roughly fifteen miles out from London Waterloo, means guests arrive in waves rather than all at once. Inside the darbar hall the camera stays low and to the side while the ragis sing and the couple walk the four laavan, heads covered and shoes left at the door. Milni greetings and the choora photograph best in daylight. Doli farewells then move on to Heston Hyde Hotel for the evening reception.
Serving Feltham
Feltham is a west London town with a diverse community. Country houses, community centres and gurdwara complexes across Greater London all appear in our Sikh wedding work, and many of them sit within easy reach of Hounslow, Ashford and Bedfont. During the anand karaj we move only between verses, timing every step to the kirtan so nothing we do ever draws an eye away from the ceremony itself.
Quiet shutters matter in a gurdwara, and ours are silent, so the kirtan never has to compete with the click of a camera. Out with the baraat we walk backwards more than forwards, framing the groom through the dancing rather than over it, and we keep well clear of the drummers' arcs while doing it. Before the palla is placed we are already in position, because the passing of the scarf from father to daughter is a moment that cannot be asked for twice.
We know Feltham well. Feltham is a west London town with a diverse community, and Sikh families here often split the day between the gurdwara and a banqueting venue nearby. We are at home at Feltham-area venues such as Nakshatra Wedding and Conference Hall, Feltham Assembly Hall and Heston Hyde Hotel.
Feltham is a town in the London Borough of Hounslow with a diverse community. Feltham railway station on the South Western line, about 15 miles from London Waterloo. For portraits away from the celebration, Hanworth Park, once a royal hunting park of Henry VII, now open grassland and playing fields works beautifully, and Hanworth Park House, a Grade II listed Georgian mansion in nearby Hanworth Park adds a real sense of place.
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What we offer
The ragis, the prayers and the stillness of the darbar hall, recorded gently so the sound and spirit of the morning come back to you every time you open the album.
Each album is designed by hand, sequencing your events from the maiyan to the doli so the finished book reads as one continuous story rather than a pile of loose pictures.
The moment the palla is placed in the bride's hands, joining the couple before the laavan begin, photographed with the quiet weight that the ritual carries in the hall.
Every Sikh ritual
We photograph the milni pairings formally for the families and candidly for the album, so both the tradition and the teasing are kept. We treat the darbar hall as the sacred space it is, covered, barefoot and unobtrusive, and couples tell us afterwards they barely knew we were there. Throughout the laavan we keep the Guru Granth Sahib at the centre of the compositions, because that is where the ceremony truly happens and the pictures should say so.
We photograph the speeches at the reception for the reactions as much as the words, the laughter down the tables and the pride on your parents' faces as your friends speak. At the sehra bandi we photograph the groom's sisters tying the sehra, the surma being applied and the family fussing over him before the baraat sets off. Bhangra takes over the reception floor, and we photograph the shoulders, the spins and the whole room moving together as the dhol and the DJ trade the night between them.

The whole celebration
We often begin days before the Anand Karaj, with the maiyan at home, when the vatna is applied among laughter and the house is at its fullest. Mehndi from the night before is checked, admired and photographed properly in daylight, when the colour has darkened and the patterns finally look the way the artist intended them to.
Langar after the ceremony is photographed with permission and with restraint, the rows seated together, the sewadars serving, the equality of the hall visible in a single frame. Toasts from a brother or a close friend can turn emotional without warning, so we cover the speaker and the top table together and never lose the reaction to a change of lens.
Why choose us
The connection between the maiyan, the anand karaj and the reception is something we photograph as one continuous story, because we have seen how the days belong together. Equipment has changed beyond recognition across twenty-five years while the anand karaj has not changed at all, and it is the practice rather than the cameras that keeps the laavan covered.
Early starts do not bother us; we are frequently on the road before dawn so we are in place and ready well before the baraat forms up. Scouting a venue we have not worked in before is part of what you are paying for, so we arrive early in Greater London to walk the darbar hall and the reception room before anyone else does.

Where we travel
Booking a second photographer changes the logistics as well as the coverage, since one can travel ahead to the reception in Greater London while the other stays with the family at the gurdwara. Ask us about a venue anywhere in Greater London and the answer will be yes, with the practical detail of how we get there and when we arrive worked out before you commit to anything.
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Good to know
Yes, with pleasure. Big groups just need the right setting, so we find a roomy spot with even light, put people on steps or a balcony where we can, and guide everyone clearly and warmly to keep it quick. Sikh weddings in Feltham often run to several hundred guests, so sizeable group shots that catch every face are second nature to us.
When your gallery is delivered, we draft a starting design around your favourite frames and then polish it with you until each spread feels exactly right. You decide which relatives, rituals and key moments deserve the most space, from the milni to the doli, and we lay the pages out accordingly. Not a single page goes to print before you have approved it. Around Feltham we have photographed at Nakshatra Wedding and Conference Hall and Feltham Assembly Hall.
Brilliantly, because the dhol is where the pictures come alive. We check in with the players ahead of the baraat to learn the timing of the big beats, then set ourselves up to frame the drummers, the dancers and the reactions at once. Come the reception in Feltham we catch the dhol entrance and the moment everyone floods the floor. That much energy photographs itself.
Yes, we hold full public liability and professional indemnity cover, and we will gladly forward the certificate to your gurdwara committee or Feltham venue ahead of time. A great many venues now request it as a matter of course. It is one of those quiet signs that sets a long-established professional apart from a hobbyist with a nice camera.
Completely. Anand Karaj ceremonies are usually held in the morning, so our day often begins before sunrise with the bride's preparations, the choora and the groom's household getting ready. We sort our own logistics the night before, arrive ahead of schedule and stay fresh through what can be a fourteen-hour day. Early starts are simply part of Sikh weddings. Feltham and neighbouring Hanworth, Sunbury-on-Thames and Whitton are all covered.
Not once during the ceremony. It is the granthi who leads and your families who follow the customs, while we simply capture everything truthfully from a discreet position. Whatever light direction we give comes outside the darbar hall, perhaps a quiet word before the milni or in the portraits later. Within the hall, the Anand Karaj is yours and the Guru Granth Sahib's alone. Getting to Feltham is straightforward for us: Feltham railway station on the South Western line, about 15 miles from London Waterloo.
Yes, gladly. The instant your mama slides the red and ivory choora onto your wrists ranks among the most moving of the entire week, and we ensure it is recorded with real care. Alongside it we photograph the kalire being fastened and the lighthearted shaking of them over the unmarried girls, a tradition families in Feltham never want missed.
More in Feltham
The same team, experience and care across every wedding and service we cover in Feltham. For weddings of every tradition in Feltham, see our wedding photographer in Feltham page. Browse our Sikh wedding photography page, the wedding photography overview, all areas we serve, or nearby Hounslow and Staines-upon-Thames. We also photograph Sikh weddings across Greater London, including Hayes, Wembley, Ealing, Kingsbury, Hammersmith and Fulham and Uxbridge.
Guides
Recent weddings
Milni · Anand Karaj · Laavan · Mehndi · Jago
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